Sudan Archives has never played by rules, her third album, THE BPM, is somewhere between machine and human chaos thats where she finds herself in the tempo.

Across fifteen tracks, the violinist, vocalist, and producer Brittney Parks redefines what it means to be both organic and electric.

“The BPM is the power,” she insists, and on this record, that power feels boundless. From the club kinetics of “A BUG’S LIFE” (premiered as BBC Radio 1’s Hottest Record in the World) to the ecstatic self-possession of “MY TYPE” and the unstoppable “DEAD,” every song feels like a revelation in motion.

THE BPM isn’t just dance music, it’s a manifesto for self-definition in a digital world. It’s Chicago house meeting West Coast futurism; it’s Black womanhood rendered in chrome and light. Sudan steps fully into her “Gadget Girl” era, finding joy in the technology that once seemed to tether her. “I’m all gadget girled out now,” she says, “but I’ve never felt so free as a human.”

Recorded between Los Angeles, Chicago, and Detroit, and produced entirely with family and close friends, THE BPM is both communal and cosmic, A body of work that refuses binaries: human/machine, body/spirit, intellect/instinct. Instead, it moves where they overlap….. in the rhythm.